Monday, September 9, 2019

Meet a RWISA Author - Nonnie Jules!

Hi, beautiful readers! A couple of months ago, the Rave Writers - International Society of Authors (RWISA) hosted a showcase tour of many of their authors. I promoted many of them here, but I wasn't able to spotlight a few of them. So, I will be sharing these authors with you over the next several days.  I am a huge fan of these authors and hope that you will enjoy their newest works enough to look into some of their novels. :-) So, let's begin with Nonnie Jules, founder of both the Rave Reviews Book Club (RRBC) and RWISA! :-)




Today, I will share with you her poem called "Silent Tears."

 SILENT TEARS
by Nonnie Jules

I cry these silent tears for her
For her loss, for her pain, for her heart
Breaking when she looks into their eyes
Her children –
she feels their loss, their pain, their hearts breaking.
The memories –
the hardest
Yet, there’s no getting away from the reminders of what used to be.
There once was a HE
HE sat, parented, loved, even laughed
Yes, towards all ends there is laughter some say
But his chair is empty now
Just as their hearts
Hollow as the tree he chose.
He left it all there
His back against a world filled with painful memories of a childhood unprotected.
His pain…
Bottled up in the bottles of poison he consumed
Reckless abandon he gave to it
But quit…
he could not
would not
was it his choice not?
In the end, the call of the poison was stronger
and he had to answer
he was forced to answer
given no choice but to answer…
was the way he felt.
His choice gave her no choice
Single parenting
A thing for some
but…
It wasn’t her thing
That is
until
he left her
no choice.

She’ll be fine
Kids are resilient
They’ll be fine
Time heals all wounds
All clichés but true.

Still…
I cry my silent tears for her
For the husband she once knew.


If you have enjoyed this author's writing, please visit her Author Page on the RWISA site, where you can find more of her writing, along with contact and social media links, if you've been turned into a fan.

Also, check out her books in the RWISA or RRBC catalogs.  Thanks, again for your support!  Don't forget to click the link below to learn more about this author:


Friday, August 23, 2019

Welcome to the "UNDER A FALLEN SUN" Blog Tour! @JohnCoonSports @4WillsPub


Today I have the pleasure of sharing a science fiction thriller by author John Coon entitled Under a Fallen Sun! Before I share his book with you, John would like to share with you some great advice on "Painting a Picture with Words."

Painting a Picture with Words


One of the beautiful things about writing fiction is how it gives you opportunities to unfold your imagination. What you see in your head, you can put it down on page after page to share with others. It's so much fun bringing to life a fictional world filled with interesting characters and unique settings.

The setting in particular can play a huge role in how the plot evolves or progresses. It also influences how characters act and react within the context of the story.

Going into Detail

Settings play an important role in genre fiction. A good setting can serve as foreshadowing and give a reader clues for what to expect as the story progresses. The setting itself can almost function as a character unto itself through the sights, sounds, smells, and tastes that characters within the story experience there.

Certain settings are tied closely to specific genres. An old, dark house on a stormy night signals the beginnings of a ghost story or a murder mystery. A weathered spaceship with scorch marks from laser fire adorning the walls could be where a space opera adventure unfolds. How you choose to describe these settings goes a long way to setting the right tone and atmosphere for the action that unfolds in subsequent chapters.

Settings should include enough detail to allow a reader to see the place without really being there. Think of how you would describe a room to a blind person. What details would you focus on that best characterized the room? That's the approach to take when creating your setting. Your reader, in essence, is the blind person who is counting on you to describe the room so they can see it without their eyes.

Avoid Overkill

There's such a thing as including too much description. Some authors approach their novels as if they are getting paid a princely sum per word. They will spend page after page on including the smallest details in each scene before moving forward.

I personally detest this approach to writing. Flowery prose does not make a story better. Spewing word vomit all over the page does not enhance a setting. A scene almost always works better when the setting stays in the background and the focus remains on the characters and the plot.

The approach I take in Under a Fallen Sun, Pandora Reborn, and my works in progress is to only touch on enough detail to paint a picture. I prefer to let my readers fill in the blanks with their imaginations. It makes it a much more rewarding experience when they are allowed to be creative partners in building a fictional world instead of having everything spoon fed to them like a toddler.


Ultimately, an author needs to strike a balance with painting a verbal picture. The setting should be detailed enough to feel alive and real, but not so detailed that it overwhelms the rest of the story.

~o~

 John shares great advice! And there is no doubt that his book, Under a Fallen Sun, follows this advice! So, if you're looking for a great sci-fi thriller, you have to check out his book!



Book Blurb:

Paige is on a desperate quest to find her missing brother Todd. She undertakes a road trip with her friends along the same route where he vanished nearly a month earlier. A broken down car leads them to seek help in Travis, an isolated West Texas town. 

Travis harbors frightening secrets. A mysterious energy barrier traps all visitors within the town. Signs of violent struggles are present in many buildings. And horrifying changes have overtaken the few surviving residents. 

Efforts to unravel the frightening mystery behind what happened in Travis brings the group face to face with an adversary from across the stars. An enemy they never knew existed has come to Earth. Now the fate of the entire human race could hinge on the survival of Paige and her friends.

Amazon best selling author John Coon delivers a captivating science fiction thriller that explores what it means to be human and the terrifying implications of humanity not being alone in the galaxy.


Here’s more information on the author:
John Coon has possessed a love for writing since age 12 when he typed out his first stories on an old typewriter belonging to his parents. For 15 years, John has worked as a sports journalist. His byline has appeared in multiple publications and on multiple websites nationwide. John currently writes for the Associated Press and Athlon Sports. He is a graduate of the University of Utah and currently resides in the Salt Lake City metro area. John published his debut novel Pandora Reborn in 2018. Under a Fallen Sun is his second novel.

Here are the purchase links for Under a Fallen Sun:



Here is the link to his author website and blog: http://johncoon.net.

Here are his social media pages –
Twitter: @johncoonsports  



To follow along with the rest of the tour, please visit the author's tour page on the 4WillsPublishing site.  If you'd like to book your own blog tour and have your book promoted in similar grand fashion, please click HERE.  

Thanks for supporting this author and his work!  

Friday, August 9, 2019

Happy Book Lovers Day!

Hello, beautiful readers! Today is Book Lovers Day! And we all know how much I LOVE books! So, in honor of BLD, I am giving you The One Betrayed for FREE today!



This is book three in my series, but it is also the story from a different character's point of view. If you've read The One Discovered but you haven't read The One Enlightened, you can still read this book. And The One Discovered is also FREE, so why not download both of them and read them now! ;-)

Friday, July 19, 2019

Welcome to the WATCH "RWISA" WRITE Showcase Tour! Day 19 #RRBC #RWISA



All month long, I will be highlighting a RWISA author and one of his/her new works. RWISA is an international society of excellent writers, and I encourage you to get to know more about them. Today, I will be sharing "Vignettes Parisian" by Bernard Foong. :-)



Vignettes Parisian
Vignettes Parisian is a collection of four short stories about the Author’s past and present experiences in the French City of Love and Romance, commonly known as Paris.
 Christian Dior Couturier Du Reve
It is impossible not to have a close encounter with fashion when I am in Paris. Even if I had to wait in the freezing cold for an hour and a half to enter the Christian Dior Couturier Du Reve (Christian Dior Couturier of Dreams) exhibition at the Musée des Arts Décoratifs (Museum of Decorative Arts). My husband, Walter, and I were the lucky few who arrived early before the museum opened its doors. The late arrivals were banished to the back of the queue for a five hours wait before admission was granted.
This spectacular exhibition was worth the wait. Not only were the lives, times, and accomplishments of Christian Dior, one of the great French couturier and his successors well documented, the exquisite fashions and well-thought-out displays were equally impressive.
Since my first visit in 1966 to the French capital of romance, luxury, and fashion, my love for Paris has never waned. Before I left sunny Maui, I had designed and made a haute couture gold, silver, and black embossed velvet fleur-de-lis patterned coat to wear during my recent holiday in France. It was at this exhibition that I received compliments for my one-of-a-kind creation.   
A stranger approached me at the exhibition to buy the coat off my back because he loved what I wore. Perhaps I should be the next designer to take over the reins for this resplendent Maison – The House of Dior. After all, I am a knowledgeable and seasoned fashion designer who knows every aspect of the international fashion industry. 
Shopping In Paris (Then & Now)

I am one of those blessed individuals with a pair of discerning eyes and can detect items I wish to purchase in cramped spaces on my crazy shopping sprees. It was in such a circumstance that Walter and I found ourselves in the middle of the crowded shopping Avenue, des Champs Elysées.
A sole of my shoe had divorced itself from the body of my long-lasting suedes and left me to hobble around Paris like a circus clown with flapping feet. I had to take immediate action to remedy this unanticipated situation before the remainder of my footwear disintegrated onto the wet and soggy ground, while my beloved, sniggered at my fashion malfunction.
I remembered an amusing incident that happened in 1969 at this boulevard. Back then, I was a bright-eyed and bushy-tailed fashion student. Accompanying Moi was Count Mario, an accomplished Vogue fashion photographer, Andy, my model-looking lover and Valet, and Sammy, a flamboyant young fashionista. The four of us were shopping at the avenue, that drizzly day.
To elongate his petite stature beneath his wide bell-bottom jeans, Sammy wore a pair of eight inches high platform shoes. He also donned a fitted denim jacket over a sassy body-hugging bodysuit. To complete his eccentric ensemble, his dyed cornflower yellow, emerald, and turquoise hair flowed behind him like an exotic mane as our quartet floated down the street.
Eyes turned in our direction as we trotted around Paris in style. Before I realized what had transpired, Sammy was flat on the pavement. Colorful socks bounced around him like raptured pom-poms. The lad had stuffed pairs of rolled-up socks inside his footwear so he could fit his tiny feet into the platforms. He had stumbled on the wet and slippery sidewalk.
Mario, wasted no time whipping out his camera to capture this unanticipated fashion faux pas, while Andy and I looked on in shock.
As if modeling for a Vogue fashion shoot, the quick-witted Sam posed this way and that on the wet thoroughfare while the photographer clicked away at the gaffe. A pedestrian circle had formed in the middle of Avenue des Champs Elysées to witness this “fashion happening.” Advertently, our friend had transformed an embarrassing situation into a photo-opt as the applauding crowd showered the boy with accolades. By the time Sammy got on his feet, he had saved his face with poise and grace.

The Magical Power of The Written Word

“Why are there beds located at different corners of the bookstore?” I asked Monsieur Mercier, an assistant at the Shakespeare & Company bookshop.
“The beds are available for writers to stay a night in Paris for free,” the man responded before he resumed, “ Are you a writer? Do you intend to stay the night?”
Surprised by the man’s inquiries, I evinced, “I am a writer. But no thank you to the lodging offer.”
“What genre of books do you write, Monsieur?” Mercier queried.
“I’m an autobiographer,” I replied. “Because of its controversial and provocative contents, my books are often classified under the Erotica genre.”
The bookseller questioned, “What are the titles of your books, and what is the author’s name?”
“A HAREM BOY’S SAGA; A MEMOIR BY YOUNG. It’s a five-book series,” I declared.
“I believe we have your books in the store. Are the titles: INITIATION, UNBRIDLED, DEBAUCHERY, TURPITUDE, and METANOIA?” he promulgated.
I nodded, delighted by his information.
The Frenchman led me through a series of narrow pathways covered with volumes and pamphlets of the written word. When he finally extracted five volumes of my autobiography from a shelf, my heart nearly leaped out of my chest.
“I read the series. What a compelling teenage life you’ve led. I wish my school had a secret fraternity program like yours,” the teller quipped smilingly.
He recommenced, “Our store is a focal point of English literature in Paris. Anais Nin, Henry Miller, and Richard Wright are frequent visitors. We also host literary activities, like poetry readings, writers’ meetings, book readings, writing festivals, literature festivals, photography workshops, writing groups, and Sunday tea.
“Ms. Sylvia Whitman, the owner, might invite you for a book reading at our store.”
“That will be splendid. Unfortunately, my husband and I are in Paris for a short period. Maybe we can arrange a book reading and signing session when we are in Paris again,” I proposed.
Monsieur Mercier and I had exchanged contact information before I left the Shakespeare & Company bookshop. Hopefully, during my next visit to Paree, I will get to meet Madam Sylvia Whitman with a book reading and signing gig in place.

S.O.W. and R.E.A.P.

Over the years, I have been asked by many, “Why do you love Paris so much?” My reply is always the same – S.O.W.
Although the Parisian cityscape has changed over the years, these three alphabets continue to shadow my existence whenever I am in or out of Paris. S.O.W. is also a reason Walter and I chose France as our home away from home.
In the autumn of 1966, when the Simorgh (one of my Arab patriarch’s private jet) touched down in Charles de Gaulle airport, I had contracted the romance bug. Back then, the ebullient Moi, an inquisitive teenager with a quest for adventure, was whisked to the Paris Ritz Carlton in a luxurious Bentley by my host, Prince P. I had fallen head-over-heels in love and in awe with both the prince, Andy, my then chaperone and Valet, and Paris, the city of romance. That was before our entourage visited the haute couture fashion Houses of Chanel, Dior, Ungaro, Givenchy, Yves Saint Laurent, Patou, and the fancy eateries, such as Café de Flore, La Belle Époque, Maxim’s, and last but by no means least, Le Folies Bergers. Back then, these infamous Parisian establishments were places to go, to see and be seen. Nowadays, they are tourist attractions.
    Through the subsequent years, I had accompanied many princes, princesses, sheiks, sheikas, and their aristocratic Arabian entourages to the French capital. Most significantly, this city of love and romance had taught me the art of Seduction (S), Originality (O), and Wit (W). Some may say that wittiness is a congenital trait, but I purport it as a learned art of human relationships. Whatever definition one chooses to use, I had returned to this electrifying metropolis of S.O.W.; where I had sown many a wild oat. Now, with my beloved husband in tow, I’m here to R.E.A.P. its rewards.
“What the hell is R.E.A.P.?” you ask.
I will explain:
R – Romance continues to exist in this alluring Capital of Love; even amid an influx of foreign refugees and political upheavals. Another series of stories, I will narrate another time.  
E – Elegance in this sordid city of high culture is a trait Walter and I find irresistibly seductive.
A – Authenticity is historicity in this Center of Romance. And I am not referring to the faux reproduction of the Las Vegas ‘Paris’ in Nevada, United States of America.
P – Paris equals Sophistication, Originality, Wit, Romance, Elegance, and Authenticity. But last and by no means least, this French capital is where Perfection reigns supreme.
PARIS – Mon Paree!

Thank you for supporting this member along the WATCH "RWISA" WRITE Showcase Tour today!  We ask that if you have enjoyed this member's writing, please visit his/her Author Page on the RWISA site, where you can find more of his/her writing, along with contact and social media links, if you've been turned into a fan.


We ask that you also check out his/her books in the RWISA or RRBC catalogs.  Thanks, again for your support and we hope that you will follow each member along this amazing tour of talent!  Don't forget to click the link below to learn more about this author:



Thursday, July 18, 2019

Welcome to the WATCH "RWISA" WRITE Showcase Tour! Day 18 #RRBC #RWISA



All month long, I will be highlighting a RWISA author and one of his/her new works. RWISA is an international society of excellent writers, and I encourage you to get to know more about them. Today, I will be sharing "Burning Out in Tokyo" by Ron Yates. :-)



Burning Out in Tokyo

By Ronald E. Yates

Clayton Brandt stood just behind the glass doors of the Ministry of International Trade and Industry building waiting for a let-up in the storm that pummeled the hot Tokyo pavement. Wisps of vapor rose into the air as the rain hit the warm ground.

He searched the eight-lane boulevard in front of the MITI building for an empty taxi. He knew it could be a long wait before an empty cab came down Sakurada-Dori. Thousands of bureaucrats glutted Tokyo's Kasumigaseki district, and whenever it rained, it seemed like all of them wanted a taxi.

"Son of a bitch!" he said, his words echoing through the lobby. Two middle-aged Japanese bureaucrats standing nearby looked over at the tall foreigner. They understood that English phrase.

Clayton grinned. "Ame-ga futte imasu," he said.

The two men looked at one another and then back at Clayton as if to say: "Yes, we can see it is raining. But is that any excuse for such a rude public outburst?"

Clayton sighed, opened his umbrella, and stepped out into the downpour. He turned right and hurried through the governmental heartland of Japan, maneuvering his 6-foot, 3-inch frame through the crowded sidewalk glutted with black and gray umbrellas. Sometimes the edge of an umbrella held by a much shorter Japanese man or woman slashed at his throat or slapped against his face. Whenever it rained, and the umbrellas came out, Clayton always felt Gulliveresque—like a giant trapped in a forest of undulating toadstools.

He looked up at the leaden April sky. The rain had drenched Tokyo for the past four days, covering the ground with a pink and white patina of delicate sakura blossoms. A slow rumble of thunder curled between the squat granite structures of Kasumigaseki. Clayton looked at his watch. It was four-thirty and the evening traffic was already crawling. He had hoped to get his story written and filed by six o'clock, but the briefing about Japan’s angry reaction to Washington’s decision to bar the U.S. government’s purchase of Japanese supercomputers had taken longer than usual.

The sky rumbled again, and bolts of lightning streaked overhead. A taxi pulled up outside the Ministry of Health and Welfare and was disgorging three Japanese bureaucrats in dark blue suits. Clayton closed his umbrella and dashed for the cab splashing through rivulets of water as he ran. The three men had barely climbed out before Clayton bolted past them and into the rear seat. He gave the driver his destination, closed his eyes, and rested his head on the seat back as the taxi inched its way back into the gridlock.

Every so often, his eyes opened just long enough to take in the somber Tokyo landscape. The perpetually gray skies of Tokyo didn’t do his already sepulchral spirit any good. In fact, very little seemed to buoy his disposition these days. He couldn't help it. He felt depressed and probably a bit too sorry for himself. A few hours before the MITI briefing, he had suffered through another of those telephone "chats" with Max, the foreign editor of Global News Service in London about expenses and the need to cut back on costs.

"O.K., O.K. Max," Clayton had sighed bleakly into the phone. "I get the picture."

The exchange ended with Max suggesting that Clayton not be such a "cowboy." A "cowboy?" Why? Just because he was from Oxford, Kansas and not Oxford, England? It wasn't easy working for a bunch of Brits when you sounded more like Garth Brooks than Sir Laurence Olivier. But he knew what Max meant.

Clayton was an iconoclast in a profession that increasingly rewarded conformity rather than individualism. Newspapers today all looked alike, loaded with the same predictable stories about the same predictable events. It was rubber-stamp journalism practiced by rubber-stamp editors who worked for rubber-stamp publishers who worked for boards of directors who wanted twenty percent operating profit margins above all else—quality journalism be damned.

 He went over the notes he had hurriedly scribbled during the MITI briefing, searching for the lead of his story. His pen scratched heavy lines under the words "ill-conceived" and "studying our response." Then he stuffed the notebook back into his bag.

“It's over,” Clayton thought to himself as he watched the snarl of cars and trucks crawl along Uchibori-Dori through Kokyo-Gaien, the large plaza that fronted the walled Imperial Palace. It was as if today he had been forced finally to confront the inevitable mortality of his professional career; or at least of his particular brand of journalism. He was writing the same boring stories over and over again. Where was the challenge? The sense of accomplishment?

Clayton exhaled and gazed out the taxi window at the striated, ashen facades of drenched buildings. They reminded him of the mascara-smudged faces of women weeping at a rainy graveside.   

He closed his eyes and nudged his mind away from the depressing Tokyo landscape. Soon it was obediently shuffling through old images of another, more beguiling Asia. It was an Asia of genial evenings spent beneath traveler palms; of graceful, colonial-era hotels in Singapore and Malaysia with their chalky plaster facades and their broad verandahs peppered with rattan settees and peacock chairs; of slowly turning teakwood paddle fans that moved the heavy night air with just enough authority to create a light breeze, but not enough to obliterate the sweet scent of evening jasmine. THAT was the Asia he missed; the Orient of the past.

Yes, it was ending. Clayton could feel it. It had been a good run . . . A good career. But now the journey was ending, like a train that had roared through the night and was now pulling into its last station. How many times had he almost gotten off only to be lured back on by the promise of what lay ahead at the next stop? How many times had he been disappointed by that decision? How many times had he been rewarded? At first, the rewards outweighed the disappointments, but in recent years, as he had grown older, the regrets seemed to have gained a definite edge.

For one thing, the passengers kept changing. And the conductors. And the engineers. But what did he expect? Wasn't that the way the world worked? What was it that Tennyson had written: "The old order changeth, yielding place to new?"

Clayton shuddered. Was he the old order? Should he be yielding? Was he burned out?

Maybe he was becoming the old order, Clayton thought. But he wasn't burned out just yet. And if there was any yielding to do, he wanted it on his own terms. The trouble was, the gulf of time between his past glories and the imminence of the callow, computer savvy handlers in the home office who controlled his destiny was becoming almost unbridgeable.

Most of his career predated cell phones and computers. For the computer literates at Global, his life's work might as well be stored on some remote database. As it was, he existed only in yellowing newspaper clips, aging telexes, and letters of commendation that were kept in his personal file back in London. And nobody bothered to look at that stuff anymore.

It made no difference, Clayton thought. In the mutable, evanescent province that modern journalism had become, it was ancient history. Hell, HE was ancient history. He was like a piece of old journalistic parchment—readable, but, unlike a computer, much less utilitarian.

What Clayton needed was another journalistic rush . . . A story he could get hold of and play like a newly discovered Mozart piano concerto. He needed something . . . Not to satisfy the yuppies back at Global, but to give him a reason to get back on the train and to leave the station again.

The taxi slewed to a stop like a wooden bathhouse sandal skidding along a wet tile floor. Clayton looked up. They were in front of the Kawabata Building.

"Kawabata Biru, desu," the driver announced.

Clayton fumbled in his pocket, handed the driver a one thousand yen note, and waited for his change. Then he bolted through the swirling Tokyo rain and put his shoulder against the massive glass and steel doors of the Kawabata Building. Unlike most of Tokyo's modern structures, the Kawabata Building didn't have sleek automatic glass doors that hissed serpent-like and opened automatically at the approach of a human being. It was a pre-war relic—an architectural throw-back with cracked marble floors and a fading art deco interior that had somehow survived the allied bombings.

The building's deteriorating facade, which was the color of dead autumn leaves, seemed to glower at the world—like the rumpled brow of an angry old man. But the tumble-down building had an undeniable individuality in a country that too often prized sameness, and that was the reason Clayton liked it and had refused an offer to move into one of the new glass and steel "smart buildings" that soared over Tokyo's Otemachi district.

He paused to talk for a moment with the old woman who operated the small grocery and newsstand tucked away in the corner of the lobby. From his many conversations with her, Clayton had learned that the old woman had operated her little concession since 1938 and knew the building's history better than anybody.

She smiled as Clayton's towering frame bent toward her in one of those peculiar half bows that Japanese make when they are in a hurry. Japanese could do it with a certain grace; but not Clayton. When this big foreigner bowed, he always looked like he was on the verge of crashing to the ground like a gingko tree struck by lightning. Nevertheless, she liked this gaijin. Ordinarily, she merely tolerated foreigners, but this one had a solitary charm. He was big, but not threatening; assertive, but not arrogant.

"So, Oba-san, Genki datta?" Clayton asked, combining the Japanese honorific for “grandmother” with the less formal interrogative for "how are you?"

"Genki-yo," the old woman replied. Clayton picked up a package of Pocky chocolates and placed a one hundred yen coin in the old woman's hand.

"Sayonara,” Clayton said as he turned and scuttled toward the bank of elevators.

"Sonna ni hatarakanai ho ga ii desu!" the old woman called after him.

Clayton smiled and nodded over his shoulder. The old woman was right. He was working too hard, and where was it getting him? Back on a train to oblivion?

“Oh, get over it,” Clayton thought as the elevator door closed. “You’ve got a story to write. Feel sorry for yourself AFTER you make your friggin’ deadline! Besides, what else do you know how to do, you old hack! Burning out is not an option.”


The End

Thank you for supporting this member along the WATCH "RWISA" WRITE Showcase Tour today!  We ask that if you have enjoyed this member's writing, please visit his/her Author Page on the RWISA site, where you can find more of his/her writing, along with contact and social media links, if you've been turned into a fan.


We ask that you also check out his/her books in the RWISA or RRBC catalogs.  Thanks, again for your support and we hope that you will follow each member along this amazing tour of talent!  Don't forget to click the link below to learn more about this author:



Wednesday, July 17, 2019

Author Spotlight - Harmony Kent!

G'morning, beautiful readers! I have a special treat for you. Today, I am helping a fellow author promote her newest book, Fallout. I have read several books from Harmony Kent and have enjoyed every single one of them, so I have no doubt that Fallout is going to be amazing! So, please join me in welcoming Harmony Kent!


Hi, everyone. Harmony here. Many thanks to Yvi for hosting me today. I have a new book on pre-order called FALLOUT, which is a post-apocalyptic dystopia. This novel started out life by playing a little game. I sat and closed my eyes and imagined an empty room … in that room, a vial appeared. A dull orange plastic thing covered in scratches. It sloshed when I shook it. From that tiny beginning, the world of Exxon 1 and its deadly virus was born.

Who are the attackers?
What do they want?
Will Priya, Kaleb, and their companion survive this?


Here is the blurb for Fallout:

WHEN EVERYTHING FALLS APART, WHAT CAN YOU DO?


The year is 3040.

The location is Exxon 1, part of a six-planet system in settled space.

Determined to avoid the mistakes of old Earth, the surviving humans avoided democracy and opted, instead, for a non-elective totalitarian system.

The new way worked well, until now.

A crazy, despotic president releases a nano-virus on the population.

No one was ready for the fallout. It came anyway.

In this post-apocalyptic world, can you stay safe?



Do I have your attention now? ;-) Check out this excerpt from the book:

Quite unconsciously, the three of them drew nearer together as they walked deeper into zone 5. The empty buildings had grown eyes. Unknown someones tracked their progress. As the sun burnt up the moon, blazing a new day, the air thickened and became heavy. Another storm was on the way. Priya’s tongue tingled while her eyes smarted at the anticipatory dread of the dust that would come with the gale.
They reached City Square. A hanging scaffold stood in the centre. Blood splatters stained the once pristine slabs surrounding it. Priya shuddered. Had they just made a big mistake? Which side had caused all the bloodshed? The rebels or the regime?
As if by telepathic agreement, all three drew to a stop at the edges of the square. There they stood, watching and waiting. For what, Priya had no idea. But they each anticipated something.
The ambush came from behind. From the narrow street that approached the central area. The trio had nowhere to go but into the big open space. Exposed. 



If you are as excited as I am to read this book, you can order your copy here!


Author Bio

After spending around thirteen years as an ordained Buddhist monk, living in a Zen Buddhist temple, and six years after a life-changing injury following a surgical error, Harmony Kent returned to the world at the tender age of forty.
Now, she is famous for her laughter, and has made quite the name for herself … she’s also, um, a writer … and fairly well known for that too. She’s even won a few awards. Harmony lives in rural Cornwall with her ever-present sense of humour, adorable husband, and quirky neighbours.

Harmony is passionate about supporting her fellow authors.

Links

Story Empire (co-authored): https://storyempirecom.wordpress.com/
Amazon Author Page: author.to/HarmonysBooks
Twitter: @harmony_kent
LinkedIn: Harmony
Goodreads: Author Page


FALLOUT Pre-order Link: mybook.to/FALLOUT